Installation view of 《Home, Firefly, Preface》 ©sangheeutsangheeut presents a solo exhibition 《Home,
Firefly, Preface》 by artist Hyangro Yoon, until November
15.
In this exhibition, Yoon unveils a new body of paintings that
begins from the act of observing her everyday surroundings during walks—where
light, time, and personal memory overlap and unfold on the canvas.
In 《Home, Firefly, Preface》, the artist unfolds
the process by which everyday sensations are translated into painting, as if
writing a preface to perception itself. Home represents both a point of
departure and a site of memory, while Firefly evokes a painterly experiment
that follows the traces and reflections of light—an intimate metaphor for
recollection.
Installation view of 《Home, Firefly, Preface》 ©sangheeutAt the center of 《Home, Firefly, Preface》 are two interrelated
series, ‘Pond’ and ‘River,’ where light and water coalesce and disperse. In ‘Pond,’
Yoon captures fragments of water images encountered in different places, as though
scooping them gently into her hand. ‘River’ expands these captured fragments
into close-up compositions, exploring both the flow of water and the sense of
distance it creates.
Just as small ponds converge to form a river, the two series are
connected through mutual reflection and resonance. Beyond the simple depiction
of landscape, layers of time and light remain on the surface, accumulating as
traces of what has passed and what is yet to fade.
The exhibition also introduces installation and sound works that
expand Yoon’s painterly language. In collaboration with sound artist Jiwan Yu,
a sound piece incorporates location data from Yoon’s walking routes along the
river, combining them with the sounds of dawn water and footsteps to fill the
exhibition space.
Installation view of 《Home, Firefly, Preface》 ©sangheeutWithin this interplay of sight and sound, the viewer encounters
the sense of walking that underlies her painting process. Alongside her
irregularly shaped canvases, Yoon also presents scarf-like works made from silk
and glass beads. Floating between the wall and the floor like handkerchiefs
dropped along the path, they remain as “paintings on another ground—a slightly
tilted reality.”
For Yoon, water is a form without fixed shape yet capable of
reflecting everything. Through this fluid nature, she continues to explore the
essence of painting. The paintings in 《Home, Firefly, Preface》 embody both the
warmth of time that has passed and the glow of light that remains, inviting
viewers to encounter the moment of painting through the sensation of touch.
They stand as a preface and an afterimage—rising from the boundary between
memory and reality, sensation and thought.








