
sangheeut presents the group exhibition 《Soft Forgetting》 through August 2,
featuring works by Kurt Fritsche (b. 1995, Germany), Natalie Sasi Organ (b.
1999, Thailand), and Minyoung Won (b. 2000, Korea).
This exhibition explores the complex and
layered nature of memory—how it can both haunt us and quietly fade away—and
explores the uncertain moments in between through each artist’s unique
perspective and approach. The three artists reflect on the repeated choices of
what to hold onto and what to let go, revealing new possibilities that emerge
in the delicate space between forgetting and remembering.

Kurt Fritsche explores processes of
transformation, loss, and memory through sculpture and photography. Using found
materials and cast forms, he investigates how time leaves traces on objects and
structures. For this exhibition, he presents a new series of works made by
embedding cast tin coins into wooden panels. The coins bear images the artist
photographed over the past year.
Natalie Sasi Organ investigates fragmented
histories that have been overlooked or excluded from dominant narratives,
revealing layered memories shaped by overlapping eras, geographies, and
cultural inheritances. Rooted in her personal identity and surroundings, her
work intertwines archival traces and speculative mythologies across generations
and locations, emphasizing that history and memory are rarely clear-cut—they
are often ambiguous, intertwined, and unresolved.
For this exhibition, Sasi Organ presents
new installation and paintings that explore collective memory, familial
relationships, origins, and animist belief systems.

Minyoung Won creates paintings that resist
fixed meaning or form from the outset. Her work often presents images that feel
light or playful on the surface, while quietly carrying a sense of discomfort
or emotional ambiguity. Rather than seeking clarity, she holds space for the
undefined—capturing moments where feelings are hard to name. She often reflects
on the fragility of memory, especially in instances where a carefully made
painting ends up discarded or hidden. These repeated acts of loss or concealment
don’t dissuade her—they become a source of motivation.
《Soft Forgetting》 invites
us to linger within the narratives of memory that each artist constructs in
their own way—gently tracing the sensations of fading and the quiet moments of
disappearance. A soft forgetting is both the act of letting something go with
care, and the choice to leave it faintly behind, never fully erased.
Participating
Artists: Kurt
Fritsche, Natalie Sasi Organ, Minyoung Won