Cover image of “The Non-Statistical Bodies” ©Distanz

Korean contemporary artist Chan Sook Choi, who has presented media and installation works through multidisciplinary methodologies, will publish her catalogue raisonné “The Non-Statistical Bodies” this October with the German art publisher Distanz.
 
A catalogue raisonné systematically documents an artist’s major works and plays a vital role in enhancing the value of both the artist and their oeuvre. However, in Korea, the production of catalogues raisonnés has been rare, except for a small number of established masters. 

In this context, the publication of a catalogue raisonné that comprehensively brings together the practice of Chan Sook Choi, an artist actively working between Korea and Germany, is especially significant.

Chan Sook Choi, qbit to adam, 2021, Installation view of 《Korea Artist Prize 2021》 (MMCA, 2021) ©MMCA

To mark the publication, an international conference accompanied by an exhibition and screenings will be held on October 8 at the Berlinische Galerie – Museum of Modern Art, Photography and Architecture in Berlin. 

Organized by The Great Commission, the event will feature contributions from Siegfried Zielinski (Professor Emeritus of Media Theory, Berlin University of the Arts), Suyoun Lee (Curator, National Museum of Modern and Contemporary Art, Korea), Minkyung Jun (Independent Curator and Director, The Great Commission), Jessie Kadivé (Independent Curator), Yung Bin Kwak (Art Critic and Visiting Professor, Graduate School of Communication, Yonsei University), and Hyeok Cho (Art Critic and Visiting Professor, Hongik University).


Artist Chan Sook Choi ©Chan Sook Choi

Chan Sook Choi (b. 1977) has developed a synesthetic visual language that addresses themes of migration, mobility, and community. Grounded in artistic research, she has consistently presented narrative experiments through exhibitions, performances, and other multidisciplinary methodologies, earning recognition both in Korea and internationally. 

She has held solo exhibitions at institutions including the Berlinische Galerie (Berlin, 2024), Kang Contemporary (Berlin, 2021), Taipei Digital Art Center (Taipei, 2020), and Art Sonje Center (Seoul, 2017). Her work has been further acknowledged through awards such as the ‘Korea Artist Prize’ from the MMCA (2021) and the Visual Arts Support Prize from Germany’s Stiftung Kunstfonds (2021).

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