
Artist Christine Sun Kim ⓒ Christine Sun Kim. Photo: Iga Drobisz.
The National
Museum of Modern and Contemporary Art, Korea (MMCA), in partnership with LG
Electronics, has selected Christine Sun Kim as the participating artist for 《MMCA X LG OLED Series 2026》, a project
dedicated to presenting experimental and forward-looking practices in
contemporary art.
Launched in 2025,
the 《MMCA X LG OLED Series》 is
a large-scale, site-specific project realized in the Seoul Box, the open
exhibition space at MMCA Seoul. Conceived as a collaborative platform exploring
the intersection of art and technology, the series examines the experimental
potential and expandability of contemporary visual art. In particular, it sheds
light on the evolving forms and sensibilities of art in the digital
environment, as well as the various ways in which technology influences
artistic imagination.
The participating
artist was selected through a multistage evaluation process that began with
recommendations from experts in the field of contemporary visual art, followed
by candidate presentations of proposed new commissions developed while taking
into consideration the spatial conditions of the Seoul Box, in-depth interviews
with the jury, and a comprehensive review.
Key evaluation
criteria included an experimental approach that actively engages the given
physical conditions and technological elements, a critical awareness of
contemporary social and cultural contexts, and the artistic capacity to
construct a new visual language.

Christine Sun Kim, Heavy Relevance, 2025, Installation view of the 15th Shanghai Biennale 《Does the flower hear the bee?》 (Power Station of Art, 2025) ⓒ Power Station of Art.
Christine Sun Kim
(b. 1980) is a Korean-American artist whose practice examines the structures of
communication across a wide range of media, including sound, language, drawing,
performance, and video. Grounded in her use of American Sign Language (ASL),
her work considers sound not simply as a physical phenomenon but as a socially
defined construct. Kim reconfigures sound as a network of social relations
intertwined with power, institutions, norms, and accessibility, drawing
attention to how speech and non-speech are distributed.
Through drawing,
graphic notation (a system for translating sound into visual language), and
text, she renders visible the often-unseen rules that govern communication,
challenging assumptions of a hearing-centered society with a language that
combines humor and critique. In her performance and video works, the body and
voice function as media in their own right, proposing a new politics of
perception that expands sensory experience.
Extending beyond
the experiences of the Deaf community, her work addresses communication as a
universal concern, proposing sensory difference as a site of new perception and
relational possibility.

Christine Sun Kim, Heavy Relevance, 2025, Installation view of the 15th Shanghai Biennale 《Does the flower hear the bee?》 (Power Station of Art, 2025) ⓒ Power Station of Art.
For 《MMCA X LG OLED Series 2026》, the artist
presents a large-scale video installation based on animation. At the center of
the exhibition is a sculptural screen that conveys the system of ASL. These
expressions are visualized through an original graphic notation developed by
the artist, drawing on the formal language of motion lines borrowed from
classic cartoons and comic books. The visual grammar of motion lines—used to
convey speed, direction, and collision—is transposed here as a means of
representing the movements of ASL.
In this new work,
Kim captures the sensation of conflict and confrontational exchange, reflecting
the emotional climate of contemporary political and social upheavals amplified
through online media. She evokes the condition in which polarized political discourse
repeats itself without progress or mutual understanding, presenting it as “the
sensation of arguing with a rock.”

Site view of ‘Seoul Box’ at MMCA Seoul (image: installation view of the MMCA×LG OLED Series 2025 《Agarmon Encyclopedia: Leaked Edition》) ⓒMMCA
Elucidating the
grounds for their selection, the jury commented, “Given the Seoul Box’s
distinctive characteristics as a space with 14-meter-high ceilings where
multiple galleries converge, the artist’s deep understanding of the site is
expected to generate strong synergy between the work and the space. As an
artist who spatializes language, Christine Sun Kim’s work will have a
significant impact.”
Kim Sunghee,
director of the MMCA, notes, “Christine Sun Kim’s works propose a clear
thematic inquiry into the relationship between language and society in a way
that is both amusing and open to multilayered interpretation. This project will
mark an important turning point in the artist’s expansion into the medium of
digital animation.”
The exhibition
MMCA X LG OLED Series 2026 will run from Friday, 31 July through Sunday, 29
November at MMCA Seoul.








