
(from the left) Seoyoung Chung, Hong Lee Hyunsook, Hyun Nahm ©Barakat Contemporary / Public Art / Hyun Nahm
Seoyoung
Chung, Hong Lee Hyunsook, and Hyun Nahm, three contemporary Korean artists,
will participate in the 59th Carnegie International, which is scheduled to open
on May 2.
Organized
by the Carnegie Museum of Art in Pittsburgh since 1896, the Carnegie
International is the longest-running exhibition of international art in North
America and is held every four years. Marking its 59th edition this year, the
exhibition will be the most collaborative and far-reaching to date, bringing
together 61 artists of diverse nationalities, including participants from the
Philippines, Peru, India, and South Africa.

Seoyoung Chung, Installation view of 《What I Saw Today》, Seoul Museum of Art, 2022, ©Seoyoung Chung and Seoul Museum of Art; photo: Dogyun Kim
Among
the participating artists are Korean artists Seoyoung Chung (b. 1964), Hong Lee
Hyunsook (b. 1958), and Hyun Nahm (b. 1990), who have each been actively
engaged in the contemporary art scene in Korea and internationally through
installation, video, and sculpture practices, respectively.
Sculptor
Seoyoung Chung has explored the “sculptural moments” grounded in fundamental
questions about sculpture itself, playing a significant role in establishing
the contemporaneity of modern Korean sculpture.

(left) Hyun Nahm, Puppeteer (Archipelago), 2024, polyurethane resin, sulfur and mixed media, dimensions variable, ©Hyun Nahm and ROH projects; photo: Chris Bunjamin / (right) Hong Lee Hyunsook, What You Touching Now–Insubong (still), 2024 ©Hong Lee Hyunsook
Working
across video installation, performance, photography, and other media, Hong Lee
Hyunsook has reflected on solidarity and coexistence with nonhuman and
marginalized beings through everyday acts of practice and discipline.
Hyun Nahm, an emerging sculptor, has employed
sculptural methodologies that depart from the logic of traditional sculpture,
transforming contemporary landscapes and social phenomena into visible and
material dimensions.

Installation view of 《Is it morning for you yet?》, the 58th Carnegie International, Carnegie Museum of Art, 2022; photo: Sean Eaton ©Carnegie Museum of Art
Meanwhile,
held under the title 《If the word we》, this edition of the Carnegie International approaches “we” not as
a singular identity, but as a multilayered and porous condition—one that is
continually formed and transformed through listening, translation, and change.
The
exhibition is co-curated by Ryan Inouye, Danielle A. Jackson, and Liz Park, and
includes installation and performance projects developed in connection with
sites across the city, such as the Children’s Museum of Pittsburgh, Kamin
Science Center, Mattress Factory, and the Thelma Lovette YMCA.
Further
details about the exhibition can be found on the Carnegie Museum of Art’s
website (https://carnegieart.org/exhibition/59th-carnegie-international/).








