MMCA Art Search Center ⓒMMCA

The National Museum of Modern and Contemporary Art, Korea (MMCA) announced that it will begin a project this year to rebuild its standard art collection management system. Since 2011, the museum has distributed its collection management system to a total of 57 public art museums across the country.
 
The project is part of “MMCA Regional Partnership,” a new initiative aimed at expanding public access to cultural content by sharing resources nationwide rather than concentrating them in the Seoul metropolitan area, while also strengthening the sustainability of regional cultural ecosystems. Within this framework, the project seeks to enhance the professional capacity of regional museums.
 
MMCA plans to upgrade the system so that regional museums can manage the entire lifecycle of artworks—from acquisition to utilization—in an integrated manner. In particular, it will establish a practical system for sharing artwork information among national and public art museums, thereby facilitating the exchange of exhibitions and artworks and laying the groundwork for collaborative initiatives such as jointly curated exhibitions.
 
Through this initiative, MMCA aims to support regional museums in establishing themselves as key institutions for the systematic preservation, use, and collaborative research of public art assets.


View of MMCA Art Search Center ⓒMMCA

In addition, the project will establish a domestic standard for art data in accordance with international standards, laying the groundwork for regional museums’ collection data to connect and interact with global art databases.
 
The lack of standardized data on Korean artists and artworks has long been pointed out as an issue. In particular, a report published last year by the Korea Culture and Tourism Institute—Current Status and Expansion Strategies for Korean Contemporary Art in International Museums—also identified the need to improve the organization of basic information on Korean artists.
 
Against this backdrop, the MMCA’s initiative to rebuild the system is expected to provide an important foundation for establishing a more systematic framework for Korean art data and for supporting the international advancement of Korean artists.

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