Installation
view of 《Berlin Blue》 ©Artspace
BoanArtspace boan presents a solo exhibition 《Berlin Blue》 by artist Sylbee Kim, on view
through November 8, at Artsapce baon 2 and Boanbooks.
Berlin Blue (2025), the
centerpiece of the exhibition, started with the concern about whether we could
be friends, allies, or family, at least temporarily, without destroying each
other in a world imbued with discrepancy and hate.
As no society or system can fully represent
every component, the sense of non-belonging could indeed configure a broader
terrain where different beings can meet. Berlin Blue
simulates a time and space where each of us as a “minority” can intersect,
overcoming a reality where nobody can, in fact, be absorbed into a “majority.”
Installation
view of 《Berlin Blue》 ©Artspace
Boan∅-places, ∅-objects, and ∅-beings
sovereignly occupy the hollow space for projected definitions that are by far
detached from any authentic origin. These declare their own body and
dimensions, standing on a ground for a possible sense of belonging as if it had
already arrived.
Isu (it/its), the protagonist of the video,
departs for spiral time travel to meet three lovers. Following the century-long
journey of the pigment Prussian blue, individual lives intersect with various
moments of militarist history. Isu returns to the present-future, and steps
toward a lover in a yet-to-be-born future.
Berlin Blue questions
how minorities, like anyone everywhere, could stand up as they are, liberated
from cultural and political projections. In doing so, the work prepares an
intersecting realm of “∅-beings,” who are
double- and multiple-marginalized in societies turning ever hostile to
differences.
Installation
view of 《Berlin Blue》 ©Artspace
BoanInstalled on the 2nd floor, Margins
(2025) deconstructs into portable units and reassembles jangot, which was worn
by Isu (it/its), the protagonist of Berlin Blue. The main
video is simultaneously on view in the exhibition at Artspace Boan 2. Isu
appears covering its face, but after the encounters with three lovers, it gets
rid of the objects of imposed projections to proceed more lightweight.
The Bridge Shelves is a space mostly
dedicated to the promotion of publications distributed by Boanbooks.
Accompanying the exhibition publication of Berlin Blue, each
different and flexible segment in Margins freely combine and
occupy the geometric sections of the display shelves. As such, they bring
marginalized beings to the foreground to be finally read as they are, breaking
the state of being that was reduced to signs and tokens.








