
Haegue Yang, Liquid Votive – Tree Shade Triad, 2025, Aluminum venetian blinds, powder-coated aluminum hanging structure, steel wire rope, LED tubes, laser lighting, SMPS, wireless module, cable, 2,362 x 1,086 x 1,086 cm. Photo: ANPIS FOTO. Courtesy of the artist ©Kukje Gallery
Haegue Yang presents Liquid Votive
– Tree Shade Triad (2025, hereafter Liquid Votive)
as the inaugural commission for the TcAM Art Commission at the newly-opened
Taichung Art Museum within the Taichung Green Museumbrary, Taiwan.
Marking the artist’s first major commission
in Taiwan and the largest blind installation in her practice to date, the work
occupies the museum’s 27-meter-high lobby, suspended from the ceiling in the
form of a monumental “cosmic tree.”

Haegue Yang, Liquid Votive – Tree Shade Triad, 2025, Installation view of TcAM Art Commission (Taichung Art Museum, 2025) Photo: ANPIS FOTO. Courtesy of the artist and Taichung Art Museum. ©Kukje Gallery
For more than two decades, Venetian blinds
have served as one of Yang’s core sculptural languages, expanding into
performative sculptures and multisensory installations. Through the
transformation of an everyday material, the blinds function as mediators of
light, transparency, and spatial depth, cultivating an experimental vocabulary
that articulates the relationship between movement and perception.
Drawing inspiration from sacred tree
traditions in Korea, Taiwan, and other cultural contexts, Liquid
Votive expands the imagery of the venerable tree as a site of
communal connection and pays homage to spiritual beliefs rooted in nature
across regions. Departing from the typical notion of a tree grounded in the
earth, the work takes the form of an inverted tree suspended from above.

Haegue Yang, Liquid Votive – Tree Shade Triad, 2025, Installation view of TcAM Art Commission (Taichung Art Museum, 2025) Photo: ANPIS FOTO. Courtesy of the artist and Taichung Art Museum. ©Kukje Gallery
Installed at the center of the museum’s
soaring atrium, the structure appears to float midair, rising along the
surrounding spiral ramp. The LED lighting and laser beams that animate the work
at night are reminiscent of fireflies, imbuing the piece with a sense of
vitality. Positioned at the heart of the new institution, the piece activates
the space while embodying aspirations for collective cohesion and spiritual
resonance.
Yi-Hsin Lai, director of the Taichung Art
Museum, remarks, “Haegue Yang is the ideal artist to illuminate the
relationship between artwork and architectural space. Her work engages not only
with the elegant interior ramp but also with the museum’s natural and cultural
values, offering visitors a distinctive artistic and sensory experience.” The
work will remain on view for the next two years.








