
Lim Chang Sub, New Director of Ulsan Art Museum ©Ulsan Maeil
The
Ulsan Metropolitan City announced that it appointed art critic Lim Chang Sub as
the new Director of the Ulsan Art Museum, effective July 1.
Lim
brings a wealth of experience across both the public and private art sectors,
having served as Secretary-General of the Galleries Association of Korea,
Artistic Director of the Cheongju Craft Biennale, Head of the Preparatory Team
for the opening of the National Asian Culture Center, and Head Curator at the
Busan Museum of Art, among other key roles.
The city
held an open recruitment process in line with the expiration of the former
director’s term and selected Lim as the most suitable candidate to lead the
Ulsan Art Museum, recognizing his extensive background in organizing and
curating art exhibitions.
An
official from the city stated, “Director Lim has previously worked on the
establishment of the Ulsan Art Museum and has a deep understanding of both the
field and the institution. He is the right person to elevate the museum into a
future-oriented, interdisciplinary art institution as it enters its fourth
year.”
The
official added, “Beyond research, collection, and exhibitions of artworks, the
new director is expected to strengthen communication with local citizens and
artists, further solidifying the museum’s role as a cultural hub for the people
of Ulsan.”

YAN Lei, Reverie Reset, 2016-2017, 80 screens, 5 computers, router, server, steel structure, cables, 3.8x4.8m, Installation view of the inaugural exhibition 《Post Nature: Dear Nature》 (Ulsan Art Museum, 2022) ©Ulsan Art Museum
On July
16, newly appointed Director Lim Chang Sub shared his future plans and vision
for the Ulsan Art Museum, emphasizing a diverse range of exhibitions and
programming. He expressed his commitment to making the museum an accessible and
natural part of citizens’ everyday lives by introducing hands-on content for
children and families, creating connections with educational and tourism
resources, and organizing seasonal exhibitions.
Acknowledging
the museum’s existing identity as a media art–focused institution and the
ongoing criticism regarding the accessibility of digital artworks, Lim stated,
“Balanced programming that takes generational accessibility into account is
essential.” He added, “Going forward, we will incorporate a wider variety of
genres such as two-dimensional painting, while also improving how digital
content is interpreted and presented.”

Woojin Kim, Dog, 2022, balloon, 500×250×500cm, Installation view of 《Landscape of Life: How Are You Today?》 (Ulsan Art Museum, 2023) ©Ulsan Art Museum
Regarding
concerns about the lack of connection between the museum and Ulsan’s old
downtown area, Director Lim stated that he plans to establish a cultural
network in collaboration with the local commercial district. He also expressed
his intention to activate outdoor spaces such as the lawn plaza and rooftop as
art sites, allowing visitors to engage with art both inside and outside the
museum.
In
response to criticism that the museum’s curatorial planning capacity has
weakened due to the long-standing vacancy of the Chief Curator position, Lim
confirmed that the museum is currently considering the recruitment of a new
Chief Curator in a positive light.