
Art Sonje
Center presents 《Young In Hong: Five Acts & A Monologue》,
Young In Hong’s first solo exhibition at a Korean art museum, on view through
July 20.
This exhibition brings together two major works: Five
Acts (2024/2025)—featuring a circular embroidered tapestry,
sculptures resembling animal toys, and five live performances—and
Accidental Paradise (2025), a newly commissioned sound
installation.
This exhibition unfolds a ritualistic space through the
perspectives of women and animals—figures historically marginalized within
patriarchal narratives. Here, ritual is not a mere reenactment, but a sensory
act of reimagining and reconfiguring suppressed memories and vanished
presences. Through tapestry, objects, sound, and performance, the artist
activates collective gestures and shared sensations, opening a temporal
threshold where history and the present converge.

Five
Acts begins with overlooked stories from Korea’s modern and
contemporary history of women’s labor. Figures such as Hyun Kyeok, a former
gisaeng turned independence activist; Bu Chunhwa, a haenyeo who led
anti-Japanese protests in Jeju; and Shin Soonae, a leader in the Cheonggye
Garment Workers’ Union, are among those whose struggles Hong brings into focus.
Key moments from these histories are embroidered onto a 40-meter-long tapestry,
offering a charged site of rupture—a surface for activation, brought to life
through five performances held during the course of the exhibition.
On the inner
side of the tapestry, abstract and geometric shapes are embroidered on hemp
fabric. These forms are inspired by the petroglyphs of Bangudae Terrace in
Cheonjeon-ri, Uljoo, where elements of nature—wind, clouds, and the sun—are
carved into stone. Inspired by animal behavior enrichment tools observed in a
zoo, the sculptures resemble playground equipment like hoops or ring tosses.

During
performances, they serve as instruments and props, enabling performers to respond
to embroidered scenes and compose new gestures in the sensory present. A
drummer accompanies them, improvising rhythms guided by animal-shaped scores
stitched along the lower edge of the tapestry.
In this exhibition, tapestry, sound, and performance are fluidly
interwoven. Resisting linear narratives and vertical structures of authority,
Hong offers an egalitarian field in which history is sensed through embodied
gestures, rhythmic activations, and sonic transformations. Here, stories of
resistance do not disappear—they wait, pulsing beneath the surface, until
bodies, rhythms, and voices bring them back to life.
Performance
*The performance is open to same-day exhibition ticket holders
and does not require prior reservation.
5/8 (Thu) 6pm
5/24 (Sat) 2pm
6/14 (Sat) 2pm
6/28 (Sat) 2pm
7/12 (Sat) 2pm