Installation view of 《A Man Asleep》 © ARARIO GALLERY

ARARIO GALLERY presents a solo exhibition 《A Man Asleep》, by artist KIM Inbai, on view through October 24 at its Seoul branch.

Spanning all exhibition spaces of the ARARIO GALLERY SEOUL, this presentation highlights approximately 29 new sculptures and two dimensional works that translate KIM Inbai’s enduring exploration of the sensation of 'absence' through a sculptural methodology.

Drawing inspiration from Georges Perec’s novel A Man Asleep (Un homme qui dort), the exhibition sheds light on the 'unbridgeable gap' between the gaze that attempts to capture a subject and its actual existence.

Just as the narrator in the novel obsessively observes 'you' yet ultimately fails to grasp the subject in its entirety, KIM focuses on the subtle discrepancies that inevitably arise the moment a subject is defined by a single form and meaning.


Installation view of 《A Man Asleep》 © ARARIO GALLERY

By materializing the spatial gap between the signifier and the signified, he poses a fundamental question: "What does it mean to see what is not there?" Beyond the clearly revealed forms before our eyes, the exhibition presents the sensation of 'absence' existing in between, realized through independent sculptural practices across each floor.

The first floor exhibition space translates the unbridgeable psychological distance between the narrator and the protagonist in Georges Perec's novel into a sculptural act. The basement exhibition space appropriates the concepts of vanishing points and perspective, drawing the visually most distant, virtual point into a blatant act of 'touching.'


Installation view of 《A Man Asleep》 © ARARIO GALLERY

Using the motif of dotted lines on a road, the third-floor exhibition space dismantles the physical boundaries of the room and materializes virtual lines. The dotted line in the center of a road separates moving vehicles while simultaneously permitting them to cross at any time; KIM brings this concept into the gallery space.

The fourth-floor exhibition space materializes the sense of discrepancy embedded in Georges Perec’s autobiographical novel, bringing it into the realm of human relationships.