
(from the left) Michael Joo, Yo-E Ryou, Gala Porras-Kim ⓒKukje Gallery / Yo-E Ryou
The Organizing
Committee of La Biennale di Venezia has announced the list of 111 artists
participating in the main exhibition of the 61st International Art Exhibition,
which includes Korean-born artists Gala Porras-Kim and Michael Joo, as well as
Korean artist Yo-E Ryou.
Opening on May 9,
the 61st International Art Exhibition of La Biennale di Venezia, 《In Minor Key》, is the final exhibition
conceived by the late Cameroonian curator Koyo Kouoh, who passed away last
year.
Marking a
historic moment in the Biennale’s 130-year history, the main exhibition was
originally curated by Koyo Kouoh—the first African woman to serve as artistic
director—drawing widespread anticipation. Following her passing during the
preparation period last year, the exhibition is now being realized under the
guidance of the advisory team she appointed.

Koyo Kouoh, Artistic Director of the 61st International Art Exhibition of La Biennale di Venezia ©La Biennale di Venezia
The exhibition, 《In Minor Key》, borrows its title from the
musical term “minor key,” proposing a slowing down and an attunement to lower
frequencies.
In her curatorial
note, Koyo Kouoh wrote, “Though often lost in the anxious cacophony of the
present chaos raging through the world, the music continues,” adding, “The
songs of those producing beauty in spite of tragedy, the tunes of the fugitives
recovering from the ruins, the harmonies of those repairing wounds and worlds.”
If the minor key
in music evokes melancholy and sorrow, the exhibition recontextualizes it as a
register of recovery—one that whispers hope amid turmoil.

Yo-E Ryou, Breath Orchestra, Act 1-2, 2024, Installation view of 《Language of the Soul》 (Jeju Gallery, 2024) ©Yo-E Ryou
The three Korean
and Korean diasporic artists participating in the exhibition—Gala Porras-Kim,
Michael Joo, and Yo-E Ryou—each present works that offer poetic gestures of
solace from their own distinct perspectives.
Michael Joo
brings conceptual installations that intertwine ecological, scientific, and
historical narratives, while Yo-E Ryou develops a practice grounded in
“hydrofeminism,” taking “water, women, and Jeju” as key motifs to envision
humans as beings fundamentally interconnected with other forms of life on
Earth.

(left) Michael Joo, Cosms (Catalunya 1), 2016-2024, Silvered alabaster and dichroic glass, Silvered alabaster: 18.5 x 18.5 x 14 cm, Dichoric glass: 30 x 30 x 1.6 cm, Courtesy of the artist and Kukje Gallery ©Kukje Gallery / (right) Gala Porras-Kim, 6 Balanced stones, 2025, Colored pencil and Flashe on paper, 152.4 x 182.9 cm. Courtesy of the artist and Kukje Gallery. Photo: Gala Porras-Kim Studio. ©Kukje Gallery
Offering new
perspectives on language, history, nature, and objects as shaped under
human-made systems, Gala Porras-Kim’s work will be presented as a special
project of La Biennale di Venezia and Victoria and Albert Museum, London, at
the Applied Arts Pavilion in the Arsenale.
Meanwhile, the
Korean Pavilion at the Biennale will be overseen by artistic director Binna
Choi and will feature works by artists Hyeree Ro and Goen Choi.








