
Artist Eunju Hong © Eunju Hong
Eunju
Hong (b. 1993), an artist working between Korea and Germany, will present a
performance to mark the opening of the Taiwan Pavilion at the 61st Venice
Biennale.
The
Taiwan Pavilion this year features 《Screen Melancholy:
Li Yi-Fan》, a solo exhibition by Li Yi-Fan curated by
Raphael Fonseca.
For the
opening performance, Hong will present a newly adapted version of her 2025 work
She seemed devastated, when I was weeping with joy.

Eunju Hong, She seemed devastated, when I was weeping with Joy, 2025, Performance, 30min. © Eunju Hong
This
work originates from Hong’s experience as a resident artist at Taipei Artist
Village in 2024. Drawing on her research into East Asian puppetry and
traditional theater encountered during that time, she presented She
seemed devastated, when I was weeping with joy last year, a
performance exploring the act of manipulating puppets and the representation of
emotion.
In the
performance, a puppet created from a 3D scan of the artist’s face moves in
response to the performer’s gestures, emerging as one of the agents through
which the intersection of emotion and memory is explored.
Hong’s
interest in puppetry has also expanded in relation to the context of Korean
traditional theater, leading her to trace the remnants of Korean puppet
traditions that disappeared after the Japanese colonial period.

Eunju Hong, She seemed devastated, when I was weeping with Joy, 2025, Performance, 30min. © Eunju Hong
Eunju
Hong studied Fine Arts at the Korea National University of Arts and later
attended the Academy of Fine Arts Munich as a DAAD master’s scholarship
recipient. Based on research into the history of technological development, the
artist employs performance, experimental video, and installation to elevate the
collisions between technology and emotion, matter and memory into a form of
poetic tension, attentively examining the points where personal and social
wounds overlap.
The
artist has held solo exhibitions at venues including Faction, Apartment der
Kunst, Arcade Seoul, and the Diplomausstellung, AdBK Munich, and has
participated in numerous group exhibitions at institutions such as Ilmin Museum
of Art, Galerie der Künstler*innen, Kunstarkaden, the Goethe-Institut, and the
Busan Museum of Contemporary Art.








