Michael Joo, Saltiness of Greatness (detail), 1992, compressed salt blocks, engraved aluminum trays, steel, wood, polyethylene, synthetic sweat, 156 × 96 × 48 in. Private Collection. Photo: Tim Lloyd ©Space ZeroOne

《Michael Joo: Sweat Models 1991-2026》, a solo exhibition by Korean American artist Michael Joo, is on view through April 18 at Space ZeroOne, a newly launched exhibition space in New York operated by the Hanwha Foundation of Culture.

Opened last November in Tribeca, Space ZeroOne is a global arts platform dedicated to discovering and supporting emerging artists, while fostering a long-term creative ecosystem to facilitate the international expansion of Korean artists.

Whereas its inaugural exhibition, 《Contours of Zero》, introduced the space’s vision with a focus on emerging artists, the selection of mid-career artist Michael Joo for its first exhibition of 2026 appears to signal a strategy of expanding the platform through intergenerational experimentation and exchange.


Michael Joo, Saltiness of Greatness, 1992, compressed salt blocks, engraved aluminium trays, steel, wood, polyethylene, synthetic sweat, 156 x 96 x 48 in. Private Collection. Photo: Tim Lloyd ©Space ZeroOne

Born in New York to Korean immigrant parents, Michael Joo is a second-generation Korean American artist who has, for more than three decades, explored the relationships between material and systems, body and information through diverse media including sculpture, installation, and video. He first gained significant international attention following his participation in the Venice Biennale in 2001.

This exhibition surveys the artist’s overall trajectory, from early works to new productions, and includes previously unrealized projects conceived or produced in the 1990s as well as newly realized pieces. Reflecting contemporary social issues such as the AIDS crisis and the rapid expansion of information technology, the works move beyond historical documentation to pose questions that remain urgently relevant today.


Michael Joo, Sapphic Bunkbed (Pos.69), 1993, aluminium, urinal cakes, stainless steel, expansion poles, book, 85 x 76 x 35 in. Courtesy of the Artist and Kukje Gallery. Photo: Adam Reich ©Space ZeroOne

The exhibition title “Sweat Models” refers to one of Joo’s signature series, which encapsulates his long-standing inquiry into “measurement” and “systems.” Through this body of work, he indirectly examines the vulnerability of the human body and the social structures that surround and regulate it.

Following this presentation, Space ZeroOne is scheduled to mount an exhibition of next-generation mid-career artists in May. Through programming across multiple levels, the institution aims to continue providing growth references and sustained support for the global advancement of emerging Korean artists.