
Esther Schipper Seoul presents a two-person exhibition titled 《CONVERSATIONS II》 featuring Prabhavathi
Meppayil and Yeesookyung, until July 12. This exhibition marks the second
installment of Esther Schipper Seoul's 《Conversation》 series which began in March following the gallery's expansion and
relocation to Hannam-dong.
This series of exhibitions, which presents works in a new
context in which artists who explore the concepts of media and art in various
ways can freely “converse” with one another, is part of Esther Schipper's
ongoing efforts to engage closely with Korean audiences and foster meaningful
exchanges. Through this exhibition program, Esther Schipper aims to serve as a
vibrant cultural exchange platform, introducing global artists who have
collaborated with the gallery over the years to Korea, while also introducing
Korean artists to Europe.

Around the same period, two female artists—Prabhavathi Meppayil
and Yeesookyung—who grew up under the distinct traditions and cultures of India
and Korea respectively, each interpreted and embraced tradition in their own
way. Through contemporary artistic languages, they fused tradition with
modernity.
Meppayil's works, which at first glance recalls minimalist
abstract paintings, reveal their nature when viewed up close. The geometric
patterns created by repeatedly stamping hand tools used in metalwork onto the
surface, or the metallic lines sparkling beneath the layers of white gesso, are
the result of the artist's repetitive and performative process, infused with
the warmth of human touch.

These works by Meppayil resonate with the works of Yeesookyung,
who gathers broken and fragmented pieces, arranges them, and connects them one
by one to form new structures. The sharp edges of broken and shattered pottery
are connected again through the artist's hands, and the scars of the past
inherent in the shapes are slowly but surely healed through the layers of gold
leave that are added. The shards of pottery, which were destroyed and discarded
for various reasons, are reborn as complete objects with their own meaning and
as new sculptures in Yeesookyung’s works.
The two artists, one from India and the other from South Korea,
engage in a dialogue through the language of contemporary art rooted in
tradition, creating meaningful new expressions. The performative nature of
their creative process and the tactile warmth of their works, crafted through
the artists' hands, embody a profound transformation of the past into a
contemporary visual language. This exhibition offers a meaningful opportunity
to explore how the encounter between two artists from distinct cultural backgrounds
can enrich the discourse of contemporary art.