
Renowned Korean contemporary artist
Yeesookyung’s new work You Were There_Cheonggyecheon 2025
has been installed at Cheonggye Plaza to mark the 20th anniversary of the
Cheonggyecheon restoration.
The installation is part of the “2025
Cheonggyecheon Public Art Project,” led by the Seoul Metropolitan Government to
commemorate the restoration milestone. The project features both established
and emerging artists from Korea and abroad, presenting public artworks that
connect the past and present of Cheonggyecheon in a new era.
The 2025 Cheonggyecheon Public Art Project,
themed “Coexistence,” explores the multilayered temporality and relational
networks inherent in the Cheonggyecheon space. The stream has historically
functioned as a site where tradition and modernity, human and non-human, and
urban and natural elements intersect to form complex relationships.
Jang Suk Joon, the project’s overall
director, described it as “an expansion of the concept of ‘becoming,’ proposed
by Deleuze and Guattari as the continuous creation of new possibilities, into a
‘collective becoming.’ It is a proposal for publicness as a communal network
that continuously forms and transforms together, beyond fixed identities.”

In line with this vision, Yeesookyung’s new
work You Were There_Cheonggyecheon 2025 features a
sculptural form inspired by the Ttukbaegi Rock of Bugaksan Mountain, enhanced
with ceramic fragments and gold leaf, and incorporates a multisensory
experience through collaboration with musicians.
The sculpture reveals the temporal origins
of the rock and artifacts discovered during the Cheonggyecheon restoration,
allowing viewers to experience a relational coexistence of rock, ceramics, gold
leaf, music, and water. This work aligns closely with contemporary public art
practices that emphasize environmental, temporal, and relational experiences.

Additionally, the Seoul Metropolitan
Government has installed a wooden work, KONNEXCHEON Pavillion,
by OBRA Architects, allowing visitors to get closer to the previously
hard-to-access masterpiece Spring by Claes Oldenburg and Coosje
Van Bruggen. From atop the pavilion, viewers can enjoy diverse perspectives of
the artworks in Cheonggye Plaza.
Along the stretch from the entrance of
Cheonggyecheon to Gwanggyo, works by four emerging artists are also on display.
These innovative pieces draw on chairs that carry local memories, native plants
and wild birds inhabiting Cheonggyecheon, and stones that shape the rhythm of
the stream, unfolding along the waterway.
Regarding the project, director Jang Suk
Joon stated, “By reinterpreting Cheonggyecheon’s history and restoration
process, it demonstrates a shift in public art from monumental symbolism to
relational environmentality.” He added, “This is not merely art installed in a
place, but an experimental process of a ‘coexistence space,’ where the city and
nature, history and present, and citizens and art continuously intertwine.”