
Singaporean visual artist and curator Ho
Tzu Nyen has been appointed Artistic Director of the 16th Gwangju Biennale, set
to open in September 2026.
In line with its mission to shape
contemporary art discourse, the Gwangju Biennale Foundation sought a curator
who could bring a distinctive and resonant vision to its next edition. Among
the shortlisted candidates, Ho Tzu Nyen was recognized for his proposal
centered on the transformative power of art. His curatorial approach, designed
to ignite a much-needed driving force in a time of global uncertainty, is
expected to chart a new direction for the Gwangju Biennale.

Ho Tzu Nyen is a media artist and filmmaker
whose multidisciplinary work spans diverse forms and contexts. He has
previously collaborated with the Gwangju Biennale, participating in the 12th
edition, 《Imagined Borders》
(2018), and contributing a commissioned work to the 13th edition, 《Minds Rising, Spirits Tuning》 (2021).
As a curator, Ho Tzu Nyen co-curated the
7th Asian Art Biennale, 《The Strangers from Beyond the
Mountain and the Sea》 (2019), hosted by the National
Taiwan Museum of Fine Arts. The project explored Asia through a geographic
framework closely aligned with recurring themes in Ho’s practice. By
illuminating marginal regions and permeable boundaries, the exhibition articulated
a vision of continual transformation and emergence, and was met with critical
acclaim.

With Ho Tzu Nyen at the helm as Artistic
Director, the 16th Gwangju Biennale aims to foreground collective artistic
practices and solidarities that respond to the intersecting crises of our
time—from climate change and unpredictable pandemics to democratic
backsliding—while moving beyond the sense of individual paralysis these
conditions so often provoke.
“Just as much as the Gwangju Biennale holds
global significance, its local context has long been a meaningful point of
engagement for participating artists,” said Lee Sang-Gap, Acting President of
the Gwangju Biennale Foundation. He added, “Under the direction of Ho Tzu Nyen,
who is deeply attuned to the cultural diversity of Asia, this edition will
offer a renewed perspective on the Biennale, both globally and within its
regional context.”
Ho Tzu Nyen stated, “This edition will
bring together the energies, propositions, practices, and ideas that have
inspired and propelled me over the past two decades. It will be an opportunity
to explore how the practice of artistic transformation resonates with Gwangju’s
legacy of democratic change. Rather than delivering a single message, this
Biennale will seek to generate propositions for change that are shared and
shaped by all of us.”