
Installation view of 《2025 Tic Tac Toe: Elsewhere》 ©Pipe Gallery
Pipe Gallery presents a group exhibition 《2025 Tic Tac Toe: Elsewhere》 on view through
January 3, 2026. ‘Tic Tac Toe’ is a long-term program dedicated to introducing
emerging artists, through which the gallery has continuously highlighted new
trajectories in contemporary visual practice.
This edition of 《2025
Tic Tac Toe: Elsewhere》 presents the work of Sean
Crowley, Sonahn Lee, and Yuyun Hwang, developing its subtitle “Elsewhere” as a
point of departure. The exhibition considers how familiar spaces are
transformed through emotion, memory, and perception, and how such shifts open
the possibility of new worlds emerging in their interstices.
It also invites us to reconsider the ways
we have habitually understood place—how objects occupy their positions, how
distances accrue within a landscape, and how relations are arranged—and to
attend closely to the moments in which these boundaries loosen and become newly
permeable.

Installation view of 《2025 Tic Tac Toe: Elsewhere》 ©Pipe Gallery
Sean Crowley (b.1990) develops
a painterly environment shaped by the themes of imagination, play, and
architecture, eliciting a sensibility that is at once familiar and subtly
transcendent. He notes that emotional experience can define a sense of place
more powerfully than geographic coordinates. With a playful yet contemplative
disposition, Crowley investigates how objects and landscapes emerge in
perception—how they approach the viewer, take form, and enter into relation
with one another.
Sonahn
Lee (b. 1996) foregrounds
the instability inherent in the act of seeing, prompting reflection on how
perception is never fixed but continually subject to subtle shifts and
reorientations. Reflected images, softened contours, and the repeated gestures
of erasing and covering introduce a thin interval between scene and gaze,
allowing familiar landscapes to be received anew as if estranged.

Installation view of 《2025 Tic Tac Toe: Elsewhere》 ©Pipe Gallery
Yuyun
Hwang (b. 1999) begins
from a desire to trace the continuance of objects. Rather than possessing
things fully or fixing them into stable representations, he approaches them as
provisional forms that reemerge fluidly within the currents of time and memory.
For Hwang, the essence of an object is not a fixed entity grasped at once but a
form that continually opens onto other possibilities as time unfolds. This mode
of thinking shifts the pictorial surface into a sensorial site that is
momentarily generated—an Elsewhere.
Participating
Artists: Sean
Crowley, Yuyun
Hwang, Sonahn Lee








