Art+_News
Genesis Announces a New Partnership with
Genesis Announces a New Partnership with
the Los Angeles County Museum of Art (LACMA)
Genesis Announces a New Partnership with the Los Angeles County Museum of Art (LACMA)
2025.11.25
Selected Exhibitions This Week
Selected Exhibitions This Week
Gallery_Exhibition
Nam Jinu’s Solo Exhibition “The Saga of Monsters :
2025.11.25
Nam Jinu’s Solo Exhibition “The Saga of Monsters : Strange Trees” on View Through December 7, 2025, at Space Willing N Dealing
Nam Jinu’s Solo Exhibition “The Saga of Monsters :
Strange Trees”
on View Through December 7, 2025,
at Space Willing N Dealing
2025.11.25
Art Focus
Art Focus
Artist
Chung Suejin: 《Budo Wido (不圖爲圖)》,
‘Painting What Cannot Be Painted’
Artist
Chung Suejin:
《Budo Wido (不圖爲圖)》,
‘Painting What Cannot Be Painted’
Chung Suejin’s solo exhibition《Budo Wido (不圖爲圖)》foregrounds the fundamental question of what painting can ultimately depict—and what it cannot. Through this inquiry, the exhibition marks the artist’s full-scale attempt to reposition painting as a medium capable of revealing the structures of cognition.
Art Spectrum
Art Spectrum
Art+
GenMon-Style: A Sensory Revolution
in the Mega City of Seoul
― From Skin to Organ, How Architecture, Direction, and Narrative Form a Singular World
Art+
GenMon-Style: A Sensory Revolution in the Mega City of Seoul ― From Skin to Organ,
How Architecture, Direction, and Narrative Form a Singular World
Introducing Gentle Monster merely as an “eyewear brand” fails to capture the full scope of its identity. The brand’s spaces across Seoul and around the world no longer function as retail stores; they operate as massive sensory mechanisms and theatrical stages for urban narratives.
Art Voice
Art Voice
Art Thoery
Korean Contemporary Art
Art Thoery
Korean Contemporary Art
In Korean contemporary art, the dominance of external theories is not simply a matter of imitation or personal preference. It results from a long-accumulated structure shaped by art education, institutional frameworks, and evaluation systems within the art market and public institutions. Concepts such as postcolonialism, diaspora theory, Western gender theory, intersectionality, and identity politics are widely used not because Korean artists favor them individually,
Korean Contemporary Art
and External Discourses:
Why Do We Still Rely on External Languages? Imported Theories and the Language
of the Field
Art Thoery
Korean Contemporary Art
and External Discourses:
Why Do We Still Rely on
External Languages?
Imported Theories and the Language of the Field
In Korean contemporary art, the dominance of external theories is not simply a matter of imitation or personal preference. It results from a long-accumulated structure shaped by art education, institutional frameworks, and evaluation systems within the art market and public institutions. Concepts such as postcolonialism, diaspora theory, Western gender theory, intersectionality, and identity politics are widely used not because Korean artists favor them individually,
Art Insight
Art Insight
Art Theory
Sign Capitalism and the Crisis of Contemporary Art (3) :
Art Theory
Sign Capitalism and the Crisis
Jay Jongho Kim | Editor in Chief
Today’s contemporary art scene has been rewritten in the language of capital. Artworks have become units of transaction rather than outcomes of thought, and the artist’s creative act is adjusted somewhere between private desire and market demand. The spiritual value of art—the inner form where human perception meets reflection—is gradually losing its ground.
Sign Capitalism and the Crisis of Contemporary Art (3) :
The Age of the Art Market and the Collector
Art Theory
Sign Capitalism and the Crisis
of Contemporary Art (3) :
The Age of the Art Market
and the Collector
Jay Jongho Kim | Editor in ChiefToday’s contemporary art scene has been rewritten in the language of capital. Artworks have become units of transaction rather than outcomes of thought, and the artist’s creative act is adjusted somewhere between private desire and market demand. The spiritual value of art—the inner form where human perception meets reflection—is gradually losing its ground.
New Artist
Artist Hwang Kyumin:
Artist Hwang Kyumin:
