Selected Exhibitions This Week
Selected Exhibitions This Week
Nonprofit_Exhibition
YoungEun Kim’s Solo Exhibition “To Future Listeners:
YoungEun Kim’s Solo Exhibition “To Future Listeners:
2026.09.22
YoungEun Kim’s Solo Exhibition “To Future Listeners:
Migrating Sound”
on View Through February 14, 2027, at ACC
YoungEun Kim’s Solo Exhibition “To Future Listeners:
Migrating Sound”
on View Through February 14, 2027, at ACC
2026.09.22
Art Focus
Art Focus
Biennale
Autumn in Korea 2026: A Season of Biennials - Six major biennials to see this autumn, from Gwangju, Busan, and Jeju to Gyeonggi, Changwon, and Gongju
BiennaleAutumn in Korea 2026: A Season of Biennials - Six major biennials to see this autumn, from Gwangju, Busan, and Jeju to Gyeonggi, Changwon, and Gongju
This October, biennials across Korea offer markedly different perspectives on contemporary art. Gwangju and Busan host large international exhibitions, Jeju explores the island’s history and culture, and other regions turn their attention to ceramics, sculpture, and nature art.
Art Spectrum
Art Spectrum
Art+
Chang Eungbok’s 《Equinox》
Art+
Chang Eungbok’s 《Equinox》
at the Seoul Museum of Craft Art:
Floral and landscape motifs, and
furnishings in paper and wood,
find their place in the spaces
we inhabit
Art+
Chang Eungbok’s 《Equinox》 at the Seoul Museum of Craft Art: Floral and landscape motifs, and furnishings in paper and wood, find their place in the spaces we inhabit
On view at the Seoul Museum of Craft Art from September 22, 2026, to March 7, 2027, “Equinox” explores how Chang Eungbok brings the beauty of Korean traditional culture and nature into contemporary living environments.
Global Art in Korea
Global Art in Korea
Art+
How Es Devlin Transforms Space
Art+
How Es Devlin Transforms Space
into Art: FUTURA SEOUL Presents
《Es Devlin: Come Home Again》
Art+
How Es Devlin Transforms Space into Art: FUTURA SEOUL Presents 《Es Devlin: Come Home Again》
The first solo exhibition in Korea by internationally acclaimed stage designer and visual artist Es Devlin (b. 1971), 《3rd Poem: Es Devlin, Come Home Again》, is on view at FUTURA SEOUL in Bukchon from August 20, 2026, through January 17, 2027.
Art Voice
Art Voice
Biennale
The History of Korea’s Biennales:
Biennale
This autumn, biennales of different character will take place, or are about to open, across six regions of Korea—Gwangju, Busan, Jeju, Gyeonggi, Changwon, and Gongju. The fact that so many international art events are being held across the country within a single season speaks to the scale and expanding reach of Korea’s art ecosystem.
The History of Korea’s Biennales:
Where Are the Records That Prove
Their Value? On the Construction
and Importance of Digital Archives
Biennale
The History of Korea’s Biennales: Where Are the Records That Prove Their Value? On the Construction and Importance of Digital Archives
Jay Jongho Kim | Editor in ChiefThis autumn, biennales of different character will take place, or are about to open, across six regions of Korea—Gwangju, Busan, Jeju, Gyeonggi, Changwon, and Gongju. The fact that so many international art events are being held across the country within a single season speaks to the scale and expanding reach of Korea’s art ecosystem.
Art Insight
Art Insight
Art Theory
The Conditions of the Post-Contemporary and
Art Theory
The Conditions of the Post-Contemporary and the Future of Korean Contemporary Art (17):
Jay Jongho Kim | Editor in Chief
Moving beyond Orientalism entails more than shifting the center from the West to Asia. It requires transforming the structure through which particular actors have classified and evaluated the art of other regions, while developing new values and criteria grounded in diverse histories and experiences.
The Conditions of the Post-Contemporary and
the Future of Korean Contemporary Art (17):
Asian Contemporary Art and Orientalism (III)
— How Can Korean Contemporary Art Become
a Major Site of Production in the Global Art World?
Art Theory
The Conditions of the Post-Contemporary and the Future of Korean Contemporary Art (17):
Asian Contemporary Art and Orientalism (III) — How Can Korean Contemporary Art Become a Major Site of Production in the Global Art World?
Jay Jongho Kim | Editor in ChiefMoving beyond Orientalism entails more than shifting the center from the West to Asia. It requires transforming the structure through which particular actors have classified and evaluated the art of other regions, while developing new values and criteria grounded in diverse histories and experiences.
Global K-Art
Global K-Art
Nonprofit
《The Unclassified》 at the Korean Cultural Centre UK — Meekyoung Shin, Ayoung Kim, siren eun young jung, and Gala Porras-Kim:
Nonprofit
