The National Museum of Modern and
Contemporary Art, Korea (MMCA) presents the “Korea Artist Prize 2024”, until
March 23, 2025, as an event co-organized with the SBS Foundation.
Since its establishment in 2012, the “Korea
Artist Prize” has established itself as the premier award system in Korean art.
In keeping with institutional improvements realized on the system’s 10th
anniversary last year.
“Korea Artist Prize 2024” will be providing
condensed glimpses of each finalist artist’s body of work by exhibiting older
works alongside newer ones that reflect recent critical perspectives, while
elevating the public’s understanding through artist/judges dialogues to be made
public on and offline in early 2025.
The artists receiving support through this
event— Hayoun Kwon, Yang Jung-uk, Jiyoung Yoon, and Jane Jin Kaisen—offer
diverse and fresh perspectives on the contemporary era, drawing on interests in
psychological dynamics, everyday lives, historical memory, myth, and ritual.
Hayoun Kwon creates
a new experience of memories by enlisting virtual reality (VR) technology to
reexamine the concepts of memory and recording. In addition to three older
works that illustrate the artist’s critical perspective on recording and memory
in different ways, the exhibition also shares her new work.
Yang Jung-uk
presents moving sculptures and stories that originate in moments captured from
everyday life, expressing an image of the life that he aspires to. His
contributions to the exhibition consist of works that focus on individuals and
landscapes, showing the meaning of life expressed in actions that are endlessly
repeated by people in a place between hardship and hope.
Jiyoung Yoon is an artist who makes use of sculpture’s nature as a medium with
both inner and outer aspects, visualizing the attitudes that individuals
acquire due to external incidents and circumstances, along with their efforts
to achieve a “better” state.
The exhibition presents various older works
that illustrate Yoon’s experiments with the sculpture medium, as well as newer
works.
Jane Jin Kaisen is well known for her poetic, performative video works, which boast
a powerful visual impact. For this exhibition, she presents Ieodo
(Island Beyond the Sea) (2024), a series of seven video works,
including three new creations.
This exhibition marks the first time the
entire series is being presented, providing a comprehensive view of the
artist’s multifaceted research, which is grounded in long-term collaboration
with local communities.
The final winner of the “Korea Artist Prize
2024” will be named in February 2025 following a public talk program and second
round screening on the artworks that will take place with both Korean and
overseas panel members during the exhibition. Visitors will be able to attend
this public talk between artists and judges, and the proceedings will also be
presented online afterward.
The finalist named as winner of the ‘Korea
Artist Prize 2024’ will receive an additional KRW 10 million in support. A
documentary spotlighting the artworks of all four supported artists and the
winning finalist will be aired on the SBS network and cable channels.
Ji Yeon Lee has been working as an editor for the media art and culture channel AliceOn since 2021 and worked as an exhibition coordinator at samuso (now Space for Contemporary Art) from 2021 to 2023.