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Art+_Art Spectrum FUTURA SEOUL: An Interface of Light, Nature, and Architecture in Bukchon Hanok Village At 61 Bukchon-ro, Jongno-gu, in the heart of Seoul’s traditional hanok cluster, FUTURA SEOUL bridges the grain of heritage architecture with a boldly contemporary exhibition infrastructure. The core is a main hall with roughly 10.8-meter clear height spanning levels 1–2, linked to upper terraces and a rooftop garden. Generous daylighting pulls the outside deep into the interior, so along the circulation you read layered vistas of light, nature, and city all at once.
2025.08.19

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Art Market_Art Voice A Legislative Push for Korea’s Art Market, But Where Are the Voices from the Field?

On August 8, Seoul’s National Assembly Members’ Office Building played host to a marathon policy seminar, ambitiously titled “Legal Support Measures for Art Market Revitalization.”

2025.08.12
Art+_Art Voice The Return of the Old Boys — What Their Comeback Should Mean

In 2025, two of Korea’s most prominent art figures have returned to lead major cultural institutions. Yoo Hong-jun, former Administrator of the Cultural Heritage Administration, has been appointed Director of the National Museum of Korea, while Yoon Bum-mo, former Director of the National Museum of Modern and Contemporary Art (MMCA), has taken the helm as the new CEO of the Gwangju Biennale. Both are respected art historians, critics, and curators with long careers in the field. Their return has inspired expectations of “stability” and “experience.”

2025.07.29
Art+_Art Voice Why Are Black Artists the 'Trend' of the Moment? Two PCs and the Rise of Black Artists: What It Means for the Future of Korean Contemporary Art

Since the early 2020s, the global art world has undergone a rapid reconfiguration. At the heart of this transformation is an unprecedented focus on Black artists. From major museum exhibitions to art fair demand and collector interest, the entire ecosystem reflects this shift. Yet this isn't merely a passing trend. Rather, it is the visible outcome of two converging cultural forces: Postcolonialism and Political Correctness (PC).

2025.07.22
Museum_Art Voice Ron Mueck Exhibition and the Blockbuster Phenomenon of Museums : The Role and Value of Public Art Museums

The solo exhibition of Australian hyperrealist sculptor Ron Mueck, currently being held at the National Museum of Modern and Contemporary Art (MMCA) in Seoul, is drawing more than 5,000 visitors per day and is expected to surpass 500,000 visitors within two months.

2025.07.08
Museum_Art Voice On the Opening of the Seoul Museum of Photography

On May 29, 2025, the Seoul Museum of Photography (Photography Seoul Museum of Art) opens its doors in Chang-dong, Dobong-gu, Seoul. As the first public art museum in Korea dedicated entirely to the photographic medium, this institution is not merely another museum opening—it is a historic milestone.

2025.05.27
Art Fair_Art Voice Review: Art Busan 2025, An art fair aspiring to become a platform — What was gained, and what was left behind?

Art Busan 2025 concluded its four-day run on May 11 at BEXCO in Haeundae, Busan. Now in its 14th edition, the fair brought together 109 galleries from 17 countries in an effort to reinforce Busan’s position as a hub of contemporary art in East Asia. However, the outcome reflected more of the current art market realities than a major shift.

2025.05.13

Art Insights

Providing insightful perspectives and in-depth analysis of Korean contemporary art.
Art Theory_Art Insight The Age of Reification: Capitalism and the Crisis of Fine Art (4) – Why Has Korean Contemporary Art Criticism Collapsed?

The Korean contemporary art scene today is enveloped in a profound silence—the absence of art criticism. Exhibitions abound, artworks circulate rapidly through the market, and artists are consumed at speed, but there is scarcely a voice that interprets, questions, or inscribes meaning into these movements.

2025.05.20
Art Theory_Art Insight The Age of Reification: The Crisis of Capitalism and Fine Art (3) - Art as a Money Game

At some point, the phrase “good artwork” quietly disappeared from the art market’s vocabulary. In its place came expressions like “rising artist,” “sold-out exhibition,” and “best-selling series.” The value of an artwork is no longer judged by the emotions it evokes or the meaning it holds.

2025.04.29
Art Theory_Art Insight The Age of Reification: Capitalism and the Crisis of Fine Art (2) – How the Intrinsic Value of Art Is Distorted by Use and Exchange Value

In contemporary life, we often speak of “value,” yet rarely do we pause to examine what we mean by it. Under capitalism, value is almost instinctively reduced to a single measure: price. Art is no exception. The inherent meaning of a work—its inner necessity and expressive urgency—has gradually been pushed aside, while marketability and investment potential increasingly dictate how art is evaluated and consumed.

2025.04.15
Art Theory_Art Insight The Age of Reification: Capitalism and the Crisis of Fine Art (1)

At the dawn of the 21st century, the art world is undergoing a profound transformation, shaped by the rapidly evolving forces of capitalism, technological revolutions, and globalization. This transformation is not merely a sign of the times but a seismic shift that shakes the very foundation upon which art exists.

2025.03.25
Art+_Art Insight How Can Korean Contemporary Art Establish Itself on the Global Stage?

Korean contemporary art is gaining increasing attention worldwide. Major international museums and biennales are showcasing works by Korean artists, and global art markets are demonstrating a growing interest in Korean contemporary art.

2025.03.18
Art Market_Art Insight The 2025 Art Fair Outlook Through the Lens of Korea’s 2024 Art Fairs

The Korean art market experienced significant shifts in 2024, with notable fluctuations in auction performance and art fair dynamics. In particular, the total hammer price in Korea’s domestic art auction market saw a 26% decline in the third quarter compared to the previous year, fueling concerns over an ‘art fair crisis.’

2025.03.11