
A major retrospective of artist Theresa Hak
Kyung Cha will be held at the Berkeley Art Museum and Pacific Film Archive
(BAMPFA) in California, USA, from January to April 2026. Titled 《Multiple Offerings》, the exhibition marks
the first large-scale retrospective of Cha’s work in over two decades and is
expected to travel internationally following its debut in the U.S.
Born in Busan in 1951 and immigrating to
the United States at the age of eleven, Theresa Hak Kyung Cha (1951–1982) was
not only the author of the seminal work Dictee (1982), which
explores themes of diaspora, but also a multidisciplinary artist whose practice
spanned writing, video, and performance.

BAMPFA has been the home to much of Cha’s
art and archives for over three decades. The forthcoming exhibition will
feature many previously unseen works alongside her well-known pieces. The
exhibition will also feature works by three contemporary women media
artists—Renée Green, Na Mira, and Cici Wu—who have been influenced by Cha.
The exhibition will be accompanied by a
richly illustrated catalogue—the first museum monograph dedicated to the artist
in over twenty years—featuring newly commissioned essays by Julia Bryan-Wilson,
Jordan Carter, Danielle A. Jackson, Mia Kang, Mason Leaver-Yap, and the
exhibition curators, as well as a roundtable discussion with artists Na Mira
and Cici Wu, moderated by Min Sun Jeon.

BAMPFA curator Victoria Sung, reflecting on
the preparation of the exhibition, said, “What we realized was that this notion
of completeness is an almost arbitrary designation when it comes to an artist
like Cha, because she was constantly iterating on her artworks across mediums.
I hope that the exhibition will emphasize the fluidity of her practice in that
way.”