Exterior view of KT&G Sangsangmadang Hongdae ©KT&G

According to the ‘2024 Survey on Corporate Support for the Arts’ published by the Korea Mecenat Association, total corporate support for arts and culture in South Korea reached 212.52 billion KRW in 2024, marking a 1.8% increase from the previous year.
 
The survey was conducted with 735 organizations, including the top 500 domestic companies by revenue and corporate-sponsored cultural foundations. Results showed an overall increase in support: total funding rose by 1.8%, the number of supporting companies grew by 14%, and the number of supported projects increased by 18.5%. However, the modest 1.8% rise in total funding suggests that corporate support for the arts has largely stagnated.
 
Among corporate-sponsored cultural foundations, the Samsung Foundation of Culture recorded the highest level of support, following its leading position last year. Operating the Leeum Museum of Art and Hoam Museum of Art, the foundation expanded its support in the music field by opening a new multi-purpose cultural space, “Sounds S,” in 2024. It was followed by the LG Yonam Culture Foundation, LOTTE Foundation for Arts, Doosan Yonkang Foundation, and CJ Cultural Foundation, rounding out the top five.


Exterior view of Leeum Museum of Art ©Samsung Foundation of Culture

Among individual companies, KT&G recorded the highest amount of cultural and arts support in 2024, following its leading position the previous year. KT&G operates KT&G Sangsangmadang, a multi-purpose cultural and arts space, in locations including Hongdae and Daechi in Seoul, as well as Chuncheon, Nonsan, and Busan—establishing itself as a key cultural platform.
 
Trailing KT&G in support volume were Hyundai Department Store, Hanmi Pharmaceutical, Shinsegae Department Store, and Shinhan Card, which ranked among the top contributors.
 
By category, infrastructure support—covering art museums, multi-purpose cultural spaces, and performance halls—accounted for the largest share of corporate funding at 56.5%, amounting to approximately 120.01 billion KRW. Although this represents a slight decrease of 0.3% from the previous year, infrastructure remains the most heavily supported area.
 
The next largest category was visual arts and exhibitions, which totaled around 31.9 billion KRW—an increase of 3.9% year-over-year. This upward trend is attributed to factors such as the expansion of conditional donations by the Arts Council Korea, increased gallery exhibitions inside department stores, and growing collaborations with visual artists.


Jeff Koons, Gazing Ball: Centaur and Lapith Maiden, 2013, installed at The Square, 1st floor of The Hyundai in Daegu in 2024. ©Hyundai Department Store

In terms of regional distribution, Seoul accounted for 48.6% of the total amount of corporate support, while the broader capital region made up 61.6%, indicating a heavy concentration of support in specific areas. The Korea Mecenat Association pointed out that such regional disparity could have a negative impact on the overall cultural ecosystem in local areas by weakening the creative foundation for regional artists, limiting access to cultural infrastructure, and reducing audience engagement.
 
The association further emphasized that in order to break out of the current stagnation in corporate support for the arts, new momentum is needed—such as increased participation from regional companies. It also suggested that stronger government policy support is necessary, including enhanced tax benefits for arts-supporting corporations, the introduction of incentive-based evaluation systems for public project bids and ESG (Environmental, Social, and Governance) assessments, and the development of a performance evaluation framework to effectively measure the impact of cultural and arts support.

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