Poster image of 《The Summer We Call Ours》 © Gyeonggi Museum of Modern Art

To mark its 20th anniversary, the Gyeonggi Museum of Modern Art is presenting 《The Summer We Call Ours》, an exhibition introducing 26 emerging artists and collectives whose practices have gained recognition for their potential within the contemporary art scene. The exhibition is on view through September 27, 2026.

Since its opening, the museum has expanded the scope of contemporary art by fostering exchanges with adjacent disciplines such as craft, design, and architecture. Today's emerging artists continue this interdisciplinary dialogue with even greater freedom. Just as painting can extend into sculpture and spatial practice, artistic disciplines are no longer fixed categories but fluid territories that they move across with ease.

For these artists, their individual modes of practice have become genres in their own right. Their works embody the diversity of contemporary art in ways that resist conventional institutional classifications. It is precisely this openness—the potential to evolve, expand, and transform into something else—that lies at the heart of the exhibition.

Moving beyond disciplinary distinctions, To Our Summer invites visitors to engage with art through the broader framework of artistic practice. Bringing together painting, sculpture, installation, media art, furniture, architecture, ceramics, design, textiles, and performance, the exhibition features 26 artists and collectives whose works open new possibilities for dialogue across media and interpretation.

The exhibition also embraces chance as a curatorial strategy. By introducing elements of randomness into the placement of artworks and allowing visitors to determine their own routes through the galleries—as well as how they navigate the exhibition brochure—it encourages each person to shape an individual viewing experience.

Keywords drawn from each artist's practice accompany the works, offering visitors conceptual points of entry through which they can encounter the artists on their own terms.