
Hakbong Kwon, Samilmun Gate, Tapgol Park, 2025, Archival pigment print on photo paper, 90×60cm ©Prix de la Photographie, Paris
Photographer
Hakbong Kwon has been awarded the Gold Prize in the Fine Art category at the
international photography competition “PX3 2025 (Prix de la Photographie,
Paris)” held in Paris, France, and was simultaneously honored as the “Fine Art
Photographer of the Year – Professional,” the top award in the category.
Recognized
alongside the IPA International Photography Awards, the Sony World Photography
Awards (SWPA), and the Tokyo International Foto Awards (TIFA) as one of the
“world’s four major photography competitions,” PX3 has been held annually since
2007, receiving tens of thousands of submissions from over 100 countries.
Kwon’s
award-winning series ‘The Independence Movement: Layered Gazes’ visually
overlays the history of Korea’s March 1st Movement and independence struggle
onto contemporary urban landscapes, creating works in which the perspectives of
the past pose questions to the present.

The
project began at the end of 2024 amid political turmoil in South Korea.
Confronted more deeply by the turbulence of internal power than by external
threats, the artist was prompted to reexamine the nation’s identity and roots,
finding an answer in the spirit of the March 1st Movement of 1919 and the
independence struggle.
The
recurring figure in the work—a girl dressed in the Ewha School uniform—evokes
the image of independence activist Yu Gwan-sun but serves as a visual metaphor
representing not a single person but the countless unnamed independence
fighters who disappeared from history.
By
juxtaposing historic sites of the independence movement—such as the
Independence Hall of Korea, Seodaemun Prison, Yu Gwan-sun’s birthplace, and
Samilmun Gate—with contemporary landscapes, Kwon revives the past not as a
relic preserved in a museum but as a living memory directed toward the present.

Photographer Hakbong Kwon ©Hakbong Kwon
He
stated, “Photography is both a record and a question, both representation and
resistance,” adding, “It’s not simply about reproducing images of the past, but
about asking how we remember.”
The
PX3 judging panel described Kwon’s work as “a powerful project that elevates
political and historical messages into an exceptional visual language” and
praised it for “delicately achieving a balance between memory and the present,
between art and resistance.”
Hakbong
Kwon plans to continue his long-term project documenting historic sites of
Korea’s independence movement at home and abroad, and is preparing to publish a
photobook and hold overseas exhibitions based on his award-winning series.