K-Artists - K-ARTNOW
K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.

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3 K-Artists This Week

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New Artists

Exhibitions 《The Burning Love Song》, 2022.07.29 – 2022.10.02, Atelier Hermès Atelier Hermès is hosting 《The Burning Love Song》, a solo exhibition by Sungsil Ryu (b. 1993), the winner of the 19th Hermès Foundation Art Award, from July 29 to October 2, 2022.
2022.07.25
Exhibitions 《2023 Anti-Freeze》, 2023.04.28 – 2023.05.28, Hapjungjigu Since opening in 2015, Hapjungjigu has consistently introduced emerging artists. Last year, seeking to engage with artists working across more diverse fields and regions, it launched an open call for 《2023 Anti-Freeze》. A total of 167 applicants responded. Following evaluations by the Hapjungjigu team and external jurors, three artists—Sangha Khym, Yooja Kim, and Ho Heo—were selected.
2023.04.27

Emerging Artists

Articles [Review] Young-jun Tak – Atelier Hermès solo exhibition Young-jun Tak’s first solo show in his native Seoul, “Love Your Clean Feet on Thursday,” was a study in duality. Two single-channel videos projected on perpendicular walls framed the gallery of Atelier Hermès, punctuated by two adjacent sculptural works that both opened and closed the show.
2024
Articles Artist Ahram Kwon: Critically Reconstructing the Illusions of the Media World Through the Screen Ahram Kwon (b. 1987) creates multimedia installations that reveal reflections on media and its conceptual interconnections in a compressed and metaphorical manner. Primarily using digital screens and mirrors as her main materials, the artist critically reconstructs the illusions of the digital media world that influence real human life and society.
2025.06.23

Mid-Career Artists

Activities Korea’s 140 Years of Photography Opens a New Exhibition Mecca “Wait—this is a photograph, not a painting?” Visitors who came to the special exhibition hall on the second floor of Photography Seoul Museum of Art in Chang-dong, Dobong-gu, Seoul, on the 30th of last month were heard saying this as they closely examined the works.
2025.06.12

Late Mid-Career Artists

Articles [Critique] Portraits of Son Donghyun Son Donghyun’s early works are represented by portraits of characters from films and animations—figures that are visible yet cannot be said to truly exist. These meticulously rendered portraits of virtual figures, executed in traditional techniques, both directly reveal the contemporary condition in which images have come to dominate and assert,
2020
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Pre-Established Artists

Articles [Critique] Metamorphosis and Captured Capital From Standard to Division, Kira Kim has actively opposed elements of power and authority by critically revealing internal issues of contemporary Korean society. At the same time, however, he works with a prestigious gallery with a stellar collection of famous artists, known for its excellent marketing and sales. These two facts seem to contradict one another, but the situation actually suits
2015
Exhibitions 《Evanescent》, 2016.07.20 – 2016.09.03, SongEun ArtSpace SongEun ArtSpace regularly organizes solo exhibitions by emerging Korean artists to support and foster new creative potential. The fifth exhibition in this series, held in 2016, featured Yunchul Kim, an artist whose practice investigates the artistic potential of fluid dynamics, metamaterials, and electro-fluid mechanics. Based in Europe, Kim was the recipient of the 2016 Collide International Award organized by CERN.
2016.07.20

Established Artists

Exhibitions 《RENT》, 2022.10.14. - 2022.11.10, Amado Art Space 《RENT》 is an exhibition that explores the capitalist use of land and the idea of private land ownership through the language of painting. In our contemporary world, where everything is commodified based on the principles of capital, the land is also predominantly perceived solely
2022.10.07
Articles [Critique] Seeing “We” through “I” and “You”: Artistic Representation as Dialogue — Ahn Kyuchul Put bluntly, art is a reconstruction of reality. By emphasizing certain aspects of reality while concealing others, art reveals what is otherwise invisible. Through the persistent tension between what is ‘seen’ and what is ‘unseen’, art invites us to reflect on everyday life. This is possible because art enables dialogue between the
2005