K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.
NextGen:
3 K-Artists This Week
NextGen K-Artists Library
Archive Shuffle
Exhibitions
《Oh, Night and I’ll Come to You》, 2024.12.04 – 2024.12.22, Hapjungjigu
The second curated exhibition by ORB (Yuja Kim and Jungyeon Park), 《Oh, Night and I’ll Come to You》, revisits the concept of “the end” in relation to the present day, focusing on the symptomatic sensibilities and ambiguous temporality felt by contemporary beings.
2024.12.04
Articles
[Critique] Day break, The Strategy
Jung Jihyun is a photographer who primarily photographs collapsing buildings. In other words, his work consists of witnessing the moment a building breaks apart. Once such a scene is captured in a photograph, the question of how to present it inevitably follows. Of course, the question of how to photograph the witnessed scene must also be considered.
2013
The One & Only Place
Where Korean Contemporary Art
Meets the World Every Moments
Join for Newsletters
& limited access to news & exhibitions
Follow Us on Social Media
Exhibitions
《Shades of Furs》, 2022.06.22 – 2022.07.17, Hakgojae Gallery
Shades of Furs is a series about a certain kind of darkness. Such darkness is neither as beautiful as black silk nor as tender as the touch of fins. It merely stays as a sharp and acute fragment, like a void that captures the unidentifiable inside the frame. Looking at the photographs, we cannot discern who they are or what they are doing. Therefore, these are the most uncertain, dubious, and ambivalent among the works of Noh Suntag.
2022.06.20
Articles
[Critique] On Living and Disappearing: Lee Gapchul
Lee Gapchul is a fortunate photographer. He is one of the rare artists whose work is deeply understood by a wide audience. When his photography began opening toward a singular world in the 1980s, he was already sharing a poor yet passionate life with fellow artists in a dark room in Seongnam, and his work was never ignored by critics.
2007