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NOON CONTEMPORARY presents Hanna Kim’s solo
exhibition, 《Poking》, on view until March 14.
Hanna Kim (b. 1984) has explored the
intersection between surfaces and underlying layers, the visualization of the
unseen, and the abstract concepts surrounding undefined impressions.
This exhibition features around ten new
works, continuing Kim’s practice of utilizing various materials in
installations and relief-like paintings created by cutting and reassembling
wooden panels.
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In her early works, she used discarded
everyday objects as direct materials for installations, visually articulating
her perception and contemplation of the world.
Since 2021, Kim has shifted her focus to a
relief-like painting practice, compressing her previous installations into a
more two-dimensional format. Using tools like a Dremel or jigsaw, she carves
and segments rectangular wooden panels in a manner akin to drawing,
reassembling them before applying color.
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The exhibition title, “Poking,” conveys
both a physical action and a subtle emotional disturbance. The artist draws
from personal experiences, memories, and emotions, intertwining them with her
work.
She recalls moments such as watching
bruises on her body change color over time during her teenage years or
observing the texture of healing skin—bodily sensations that encapsulate the
interplay between external forces and internal responses.
Through Kim’s abstract paintings, which
oscillate between relief and flatness, viewers are invited to examine the
threshold where the external and internal meet, where surfaces confront what
lies beneath.
Ji Yeon Lee has been working as an editor for the media art and culture channel AliceOn since 2021 and worked as an exhibition coordinator at samuso (now Space for Contemporary Art) from 2021 to 2023.