Installation view of 《The Immortal Nature: Things That Exist for Themselves, Not for Others》 ©Whanki Museum

The Whanki Museum, which underwent a renovation last year and was closed for 10 months, is hosting a special reopening exhibition titled 《The Immortal Nature: Things That Exist for Themselves, Not for Others》 until March 5.

This exhibition showcases the artistic journey of Kim Whanki (1913–1974), capturing the fleeting moments he observed, heard, felt, or simply passed by, which were later transformed into his works. The exhibited pieces range from his early lyrical works depicting the beauty of Korean nature—such as mountains, moons, flowers, and birds—to the abstract paintings he created during his time in France and New York.

Installation view of 《The Immortal Nature: Things That Exist for Themselves, Not for Others》 ©Whanki Museum

Kim Whanki’s artistic world began with an aesthetic rooted in Korean sensibilities and literary lyricism. During his time in Paris, he established a unique artistic philosophy of "poetic spirit," where he fused Korea’s traditional and cultural heritage with the abstract language of nature. In New York, where he dedicated his final years to his art, Kim gradually moved away from figurative forms, delving into the essence of nature and discovering a distilled abstraction expressed through “dots, lines, and planes.”

Installation view of 《The Immortal Nature: Things That Exist for Themselves, Not for Others》 ©Whanki Museum

For Kim Whanki, nature was the central theme that ran throughout his life’s work. To him, nature represented "things that exist for themselves, not for others," an eternal and immutable source of artistic inspiration and a reflection of his inner world.

This special exhibition offers an in-depth exploration of Kim Whanki’s lifelong pursuit of the essence of nature and his artistic vision. Alongside his works, visitors can also view the collections that inspired his creations, providing a closer look at both his art and life.

Ji Yeon Lee has been working as an editor for the media art and culture channel AliceOn since 2021 and worked as an exhibition coordinator at samuso (now Space for Contemporary Art) from 2021 to 2023.