
Gallery Hyundai presents its first
exhibition of 2025 with a solo show by artist Shin Sung
Hy (1948–2009),
titled 《Couturage, Nouage》, running from February 5
to March 16.
The exhibition revisits the artist’s
formative vision of deconstructing the flat canvas to create multidimensional
spaces where events unfold, delving into the essence of painting.

The exhibition features the first public presentation of Shin’s Empty Heart (1971) triptych, a work that left an indelible mark in the Korean art world. Furthermore, 《Couturage, Nouage》 showcases thirty-five major works spanning over forty years, offering a retrospective look at the artist’s evolving creative journey, marked by significant shifts in Shin’s practice approximately every decade.

Over the span of his 40-year career, Shin
Sung Hy has remained devoted to the canvas. His exploration of deconstructing
the two-dimensional plane with one-dimensional lines and reassembling the torn
canvas into a dynamic space that resonates in both vertical and horizontal
dimensions delves into three-dimensional painting as a space where numerous
events and times intertwine.
The painterly spaces constructed through
sewing and weaving represent a significant evolution within the legacy of
20th-century artists, pushing the boundaries of the medium. Shin Sung Hy’s work
is deeply rooted in Korean traditions, yet boldly embraces Western influences,
creating a unique and compelling dialogue between the two.
Ji Yeon Lee has been working as an editor for the media art and culture channel AliceOn since 2021 and worked as an exhibition coordinator at samuso (now Space for Contemporary Art) from 2021 to 2023.