
Christine Sun Kim at her solo exhibition at Hyundai Hwarang. / Photo: Gallery Hyundai
Christine Sun Kim (b. 1980) is a Korean
American artist whose practice explores sound, language, and the structures of
communication through drawing, painting, video, installation, and performance.
Born in California, Kim is a Deaf artist
who has developed a distinctive visual language using American Sign Language
(ASL), musical notation, written language, and graphic symbols. She examines
sound not only as an auditory phenomenon but also in terms of the meanings
attributed to it through social relationships, power structures, and cultural
conventions, translating these concerns into the conceptual and formal
dimensions of her work.
In Kim's work, musical notes, staff lines,
arrows, words, and graphic marks become visual elements through which she
expresses emotions, memories, interpersonal relationships, and social
experiences. By transforming and combining these elements, she reconfigures the
relationship between language and image. In recent years, she has extended the
visual language developed through her drawings into shaped-canvas paintings,
large-scale moving-image works, and architectural installations, further
expanding her artistic practice.
Kim's work gained significant international
recognition through major solo exhibitions at the Whitney Museum of American
Art in New York and the Mori Art Museum in Tokyo in 2025. In 2026, her work has
been presented in Seoul and Luxembourg through exhibitions highlighting
different aspects of her practice.
Her solo exhibition 《Moon Mind》 (August 26–October 18) at Hyundai
Hwarang explored family, memory, and identity through painting and drawing.
Meanwhile, 《Have
Many Dumb Fights Against Rock》 (July 31–November 29),
currently on view at the National Museum of Modern and Contemporary Art, Korea
(MMCA) in Seoul, translates the movements of American Sign Language into
large-scale moving images and spatial drawings. At Mudam Luxembourg, 《FOR EVER》 (September 25, 2026–January 10,
2027) examines the history of Deaf culture and the continuity of language
through monumental sculptural forms.
Together, these three exhibitions offer an
opportunity to trace how Kim has developed a distinctive visual language from
her experiences of sound and communication, while considering the aesthetic and
social significance of her work within contemporary art.
Hyundai Hwarang: 《Moon Mind》 —
Exploring Memory and Relationships Through Painting

Christine Sun Kim: 《Moon Mind》, exhibition title wall, 2026. Photo: K-ARTNOW.

Installation view of 《Moon Mind》, 2026. Photo: K-ARTNOW.
Held at Hyundai Hwarang from August 26 to
October 18, 2026, 《Moon Mind》
offered a focused presentation of Christine Sun Kim's exploration of painting.
Featuring approximately 40 works, including shaped-canvas paintings and
drawings, the exhibition examined family, memory, cultural identity, and
interpersonal relationships.
A defining feature of the exhibition was
Kim's expansion of her long-established vocabulary of lines, text, and symbols
into the physical shapes of the canvases themselves. Moving beyond the
conventional rectangular format, her shaped canvases extend her exploration of
language and gesture into the physical structure of painting, introducing a new
spatial dimension to the visual language she has developed through drawing.

Christine Sun Kim, MIND MASS, on view at Moon Mind. / Photo: K-ARTNOW.
Kim's cultural background as a Korean
American and her family history also bring a more personal dimension to a
practice that has long examined the social structures surrounding sound and
language, extending her inquiry into questions of individual history and
identity.
Exhibition Information
Title: Christine
Sun Kim 《Moon Mind》
Dates: August 26–October
18, 2026 (Exhibition closed)
Venue: Hyundai
Hwarang, Gallery Hyundai
Address: 8
Samcheong-ro, Jongno-gu, Seoul, South Korea
Website: www.galleryhyundai.com
MMCA Seoul: Have Many Dumb Fights
Against Rock — Extending the Movements of Sign Language into Space

Christine Sun Kim, 《Have Many Dumb Fights Against Rock》, installation view, 2026, MMCA Seoul, Seoul Box. / Photo: National Museum of Modern and Contemporary Art, Korea (MMCA)
The National Museum of Modern and
Contemporary Art, Korea (MMCA), Seoul, is presenting Christine Sun Kim's
large-scale installation 《Have Many Dumb Fights Against
Rock》 from July 31 to November 29, 2026.
Created as part of the MMCA x LG OLED
Series, the work combines a large curved OLED display installed in Seoul Box,
the museum's central architectural space, with drawings extending across the
surrounding walls and floor.
Kim translates the movements of American
Sign Language into moving images and graphic forms, visualizing how language
takes shape through the body and its relationship to space. The handshapes,
movements, directions, and timing through which ASL conveys meaning are
translated into moving images and drawings that extend across the surrounding
space.
As visitors encounter the moving images
alongside the drawings throughout the space, language emerges as a process
shaped by time, movement, and bodily relationships rather than a fixed system
of meaning. Through this spatial composition, Kim explores the conflicts and
misunderstandings that arise in communication, as well as the relationships
between different sensory experiences.
Exhibition Information
Title: MMCA x LG
OLED Series 2026: Christine Sun Kim 《Have Many Dumb
Fights Against Rock》
Dates: July 31–November
29, 2026
Venue: National
Museum of Modern and Contemporary Art, Korea (MMCA), Seoul — Seoul Box
Address: 30
Samcheong-ro, Jongno-gu, Seoul, South Korea
Website: www.mmca.go.kr
Mudam Luxembourg: 《FOR EVER》 — Commemorating the History of
Deaf Culture Through Sign Language

Christine Sun Kim, The Sound of Temperature Rising, Installation view. / Photo: Mudam Luxembourg.
Mudam Luxembourg – Musée d’Art Moderne
Grand-Duc Jean is presenting Christine Sun Kim's solo exhibition 《FOR EVER》 from September 25, 2026, to
January 10, 2027.
Exploring the history of Deaf culture and
the continuity of Deaf communities, the exhibition features a site-specific
installation that transforms American Sign Language into sculptural canvases
and a soundscape.
Responding to the chapel-like architecture
of Mudam's Henry J. and Erna D. Leir Pavilion, Kim has created an installation
extending across its four walls. The movement of the ASL sign for
"forever" is translated into sculptural canvases that occupy the
architectural space. By giving enduring material form to a bodily gesture that
unfolds momentarily in time, the work explores the relationship between the
transience of language and the continuity of culture.
Here, the word "forever"
symbolizes the endurance of Deaf culture despite the historical restrictions on
sign language and the discrimination experienced by Deaf communities. A
soundscape developed in collaboration with musician Matt Karmil further
explores the relationship between visual form and sound.
At the artist's request, the exhibition is
presented entirely on the pavilion's ground level, avoiding the lower floor,
which lacks step-free access. This decision demonstrates how Kim's concerns
with language, communication, and accessibility extend beyond the subject
matter of her work to the practical conditions of its presentation.

Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, designed by architect I. M. Pei. / Photo: Christian Aschman.
Mudam is a major contemporary art museum in
Luxembourg, presenting international artists through exhibitions and
commissioned projects. By engaging directly with the museum's distinctive
architecture, 《FOR EVER》 brings
Kim's visual language into a large-scale sculptural installation.
Exhibition Information
Title: Christine
Sun Kim 《FOR EVER》
Dates: September
25, 2026–January 10, 2027
Venue: Mudam
Luxembourg – Musée d’Art Moderne Grand-Duc Jean
Address: 3 Park
Dräi Eechelen, L-1499 Luxembourg
Website: www.mudam.com
Christine Sun Kim
Christine Sun Kim (b. 1980) has developed a
distinctive visual language from her experiences of sound, language, and
communication as a Deaf artist. Drawing on the bodily movements of sign
language, musical notation, written language, and graphic symbols, she explores
how human perception and language operate, extending these elements into
painting, video, and installation.
Her practice builds on the legacy of
Conceptual art, in which language and signs became central elements of artistic
expression, while developing a distinctive approach grounded in Deaf experience
and cultural identity. By visualizing the social conventions and power
relations surrounding sound and language, Kim invites viewers to reconsider
established assumptions about communication and perception.
Kim's artistic achievement lies in
transforming her sensory and cultural experiences into a distinctive visual
language, expanding the ways contemporary art explores human perception,
language, and communication.








