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Special Features

Art Theory_Art Insight

The Conditions of the Post-Contemporary and the Future of Korean Contemporary Art (7): Galleries, Art Fairs, and Auctions — Distribution, Repetition, and the Fixing of Value

2026.04.21

Museum_Art Focus

Busan Museum of Art’s Exhibition-Linked Programs for《Loop Lab Busan 2026》, Expanding the Discursive Terrain of Digital Media Art

2026.04.21

Art+_Art Spectrum

The New Trend of Korean “Goldong”: Dapsimni Antique Art Market — Beyond Vintage, Toward Antique

2026.04.21

Global K-Art
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    Anna Park’s First Solo Exhibition at Lehmann Maupin London: Contemporary Drawing that Disturbs Archetypes of Femininity

    2026.04.14

  • Art Fair_Global K-Art

    Gana Art Becomes the First Korean Gallery to Participate in New York’s "AIPAD Photography Show"

    2026.03.31

  • Artist_Global K-Art

    Ham Jin, Who Has Built a World of Microscopic Sculpture, Presents His First Solo Exhibition in France,《MICROmégas》, at Galerie Dohyang Lee in Paris

    2026.03.17


K-Artists

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Artist Kim Eunseol: Delving into Listening, Emotion, and Memory

2026.04.20

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Artist Sla Cha: The Logic of Games and Everyday Objects in Sculpture

2026.04.20

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Artist Hansol Ryu: Visualizing the Paradox of Fear and Humor

2026.04.20

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    What the Damien Hirst Exhibition at the National Museum of Modern and Contemporary Art Means: The Museum's ‘After Symbolic Capital’

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  • Nonprofit_News

    ARKO Opens 2026 Call for Korea’s Largest Arts and Culture Grant Program

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    Selected Korean Art Fairs in 2026: An Overview of the Korean Art Market Through Art Fairs

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