Nonprofit_Art Voice
The Deformation of Non-Profit Art Spaces: How Government-Driven Funding Systems Distort the Structure of Artistic Production2026.03.31
Art Theory_Art Insight
The Conditions of the Post-Contemporary and the Future of Korean Contemporary Art (5): From the Age of Production to the Age of Judgment2026.03.24
Art Fair_Global K-Art
Gana Art Becomes the First Korean Gallery to Participate in New York’s "AIPAD Photography Show"2026.03.31
Artist_Global K-Art
Ham Jin, Who Has Built a World of Microscopic Sculpture, Presents His First Solo Exhibition in France,《MICROmégas》, at Galerie Dohyang Lee in Paris2026.03.17
Artist_Global K-Art
Suki Seokyeong Kang (1977–2025), Solo Exhibition at Tina Kim Gallery, New York:《Our Spring》, A Sculptural Language Reconfiguring the Structures of Jari and Time2026.03.03
Artist_K-Artist
Artist Ram Han’s ‘Digital Paintings’: Stimulating Memory, Fantasy, and the Senses2026.03.30
Artist_K-Artist
Artist Miki Kim: On the Intersection of Body, Emotion, and Image2026.03.30
Artist_K-Artist
Artist Ok Seungcheol Explores the Tension Between Original and Copy2026.03.30
Museum_News
Seoul Museum of Art Unveils Its 2026 Exhibition Plans2025.12.23
Museum_News
Busan Museum of Art to Host International Media Art Festival “2026 Loop Lab Busan”2026.03.31
Museum_Art Voice
What the Damien Hirst Exhibition at the National Museum of Modern and Contemporary Art Means: The Museum's ‘After Symbolic Capital’2026.03.17
Art Fair_Art Market
Selected Korean Art Fairs in 2026: An Overview of the Korean Art Market Through Art Fairs2026.01.06
Nonprofit_News
ARKO Opens 2026 Call for Korea’s Largest Arts and Culture Grant Program2025.10.14