K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.
Mid-Career:
3 K-Artists This Week
Mid-Career
K-Artists Library
Archive Shuffle
Exhibitions
《Light and Crystalline》, 2020.03.26 – 2020.04.25, ONE AND J. Gallery
ONE AND J. Gallery is pleased to present the group exhibition 《Light and Crystalline》, on view from March 26 (Thu) to April 25 (Sat), 2020. At times, the ancient bygone days of art prove to become a burden weighing upon the art of today. When we scrutinize art history that delineates its origin to the Paleolithic,
2020.03.24
Exhibitions
《Re-wind》, 2018.05.11 – 2018.06.07, out-sight
Shin Jungkyun has been working around issues of the military, national security, ideologies and conspiracy theories to expose anxieties that are latent in the divided Korea.
2018.05.11
Exhibitions
《The Place of Weeds》, 2021.12.10 – 2022.01.09, Oil Tank Culture Park T1
A solo exhibition by Yoo Hwasoo, 《The Place of Weeds》, will be held at T1 Pavilion, Oil Tank Culture Park, from December 10, 2021, to January 9, 2022. In this exhibition, the artist cultivates nameless weeds by applying smart farm technology to their ecological data.
2021.12.10
Exhibitions
《Simple Thoughs: Ecology-Gender-Communism》, 2021.12.09 – 2021.12.26, Alternative Space LOOP
Time’s up on the current world. But a new world is yet to arrive. The world staggers about in ill-fitting clothes, discombobulated and distressed. Since the 2008 market crash, the world has been in frantic pursuit of profit accumulation. The concomitant and catastrophic crises in labor and ecology announce the inevitable demise impelled by capitalistic exploitations of humans and the natural environment.
2021.12.08
Articles
[Critique] Others and Me: On the Impossibility of Relations and Communications
For the exhibition at PLATEAU in the summer of 2014, Inhwan Oh produced the project Guard and I, a work that unveils the tension between individual identity and social norms, critically examines the institutional order of a museum, and exemplifies Oh’s persistent attempts to communicate with others on an intimate level, even if the relationship is temporary.
2015
